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Igor D.

Liquide · Lending infrastructure

Taking an Australian fintech from zero to the Singapore stage

From a rough concept to a full brand in two weeks, then on to the investor deck and the conference kit that took it to Singapore.

Client
Liquide
Role
Brand Identity and Presentation Designer
Industry
Fintech, loan origination
Scope
  • Logo family and 4 animated logos
  • Brand guidelines
  • 39 slide investment memorandum
  • 40 icons and 7 imagery directions
  • Singapore conference kit
Year
2026
The Liquide lockup. A closed ring with one orange point of entry.

Overview

A marketplace where lenders compete for the borrower

Liquide is an Australian fintech rebuilding how loans are originated. Instead of borrowers chasing banks, borrowers tender their profile and lenders come to them. The company sees itself as infrastructure, the pipes that information and capital move through, not another bank.

The founder came to me through Toptal with a name, a rough idea for the logo and two weeks. What started as a logo job became the whole visual identity, the investor story and the kit Liquide took to an investor conference in Singapore.

Problem

Finance brands that all look the same

Most lenders speak the same visual language. Blue or green, a shield, a column, a tick. It says safe, but it also says old, and it says nothing about a company trying to change how lending works.

The brief ruled all of that out. No blue, no green, no bank tropes. The founder wanted something that felt like intelligence and movement, closer to a technology platform than a high street branch.

The dual challenge

  1. Stand apart without losing trust

    Investors and brokers still need to believe this company can move real money. The brand had to feel modern and still feel serious.

  2. Move fast without cutting corners

    A website launch and a corporate video were already scheduled. The logo, colours, type and video titles all had to be ready inside two weeks.

Strategy

Start with one idea, then let everything carry it

The founder already had a name for the logo idea: Flow Gate, a point of access that money and information move through. I kept the idea and stripped the form back until it was simple enough to work as a favicon and strong enough to fill a stage screen.

From there, every later piece had to tell the same story. The ring is the gateway. Purple is the platform. Orange is the one thing that moves through it.

Liquide brand system

Liquide

Identity

  • Logo family and mark
  • Colour palette with tested pairings
  • Serif and sans type system

Motion

  • Intro and outro for the corporate video
  • Full logo and mark only versions

Storytelling

  • Investment memorandum and slide system
  • Icon library and imagery directions
  • Singapore conference kit and LinkedIn series

Explorations

Three decisions, and what each one cost

Exploration 01

An abstract mark that still means something

Constraint
The mark had to carry the Flow Gate idea and stay simple, abstract and easy to recognise.
Trade off
Literal gates and arrows read as logistics or security. Going fully abstract risked losing the meaning.
Solution
A closed ring as the gateway, with one orange notch as the point of entry. Built on a construction grid so it holds up from a favicon to a conference screen.

Exploration 02

Purple and orange without the noise

Constraint
The founder's starting palette was purple and orange, and blue and green were off the table.
Trade off
Two strong colours fighting for attention look loud, more festival than finance.
Solution
A strict rule, one accent, not two. Purple carries the composition, orange marks the single thing that matters most. Every text pairing was tested against WCAG, from 5.44:1 (AA) up to 13.50:1 (AAA).

Exploration 03

A serif in a sea of startup sans

Constraint
The brand needed to feel like infrastructure, steady and official.
Trade off
A geometric sans looks like every other startup. A serif can tip into old fashioned.
Solution
Merriweather for headings, Merriweather Sans for everything else. Quiet authority without the bank feel. Both are Google Fonts, so the decks open with the right type on any machine.

System

A small kit that does a lot of work

The brief asked for a logo, a palette and a typeface. I delivered those as a brand guidelines document, so anyone on the team could use them correctly without asking me.

Colour palette
  • Deep purple

    #2E1065

    Covers, dividers, dark surfaces

  • Accent purple

    #5F01D1

    Wordmark, primary brand colour

  • Orange

    #F97316

    One accent per composition

  • Lavender

    #EDE3FB

    Soft panels and highlights

  • Off white

    #F4F0EF

    Working surface for content

Typography
LevelSize / line heightTypeface
H156 / 64Merriweather
H240 / 48Merriweather
H332 / 40Merriweather
Body16 / 26Merriweather Sans
Caption12 / 16Merriweather Sans

Logo family

Horizontal lockup for covers and closings, mark only in dark, off white and reversed versions for favicons, app icons and busy photography.

Thirteen sections, from construction to motion, so the brand can travel without me.

Deliverables

From a logo to a room full of investors

Deliverable 01

Logo animation for the corporate video

Small particles move towards the centre and disappear as they arrive, and the mark builds itself out of that movement. It stands for the financial information people bring into the platform. The outro runs the same idea backwards, so the mark breaks apart into particles instead of a plain fade.

Four versions: full logo and mark only, each with an intro and an outro. MP4 for review, ProRes MOV for the video edit.

Information comes in, the gateway forms.
The outro reverses the same movement.

Deliverable 02

Investment memorandum and slide system

Phase 2 started here. The founder needed a 39 slide investment memorandum built from three sources: an approved manuscript, a visual brief and a detailed report. Before building it I made a slide template library with 13 diagram layouts, so every slide came from the same parts.

Two rules kept it readable. Off white is the working surface, full purple only for covers, chapter dividers and the close. And the copy stays exactly as approved. Every slide was checked against the manuscript, so careful wording like "is designed to" never quietly turned into a promise.

To support it I drew a 40 icon library in Figma and art directed an AI imagery library in seven directions, each one mapped to a chapter of the story.

Icons and imagery built for the story, not pulled from stock.

Deliverable 03

Singapore investor conference kit

In October the founder took Liquide to the Yield & Growth Investment Conference in Singapore, with a display desk and an eight minute talk. The final copy arrived two days before the print deadline.

The kit:

  • Two roll up banners, 85 × 200 cm. One leads with the brand, one with the raise, and a single ring runs across both when they stand side by side.
  • Business cards and an A5 brochure card, both with a QR code to the investor page.
  • A print edition of the investment memorandum, A4 and spiral bound.
  • A 14 slide conference deck, paced to the eight minute talk, with two part reveals built as slide pairs so nothing depends on animation working on someone else's laptop.

Print was its own job. I fixed the PDF page size and trim box, checked every QR code scanned to the right page, and sent flattened backups in case the printer's software struggled with the gradients.

Two banners, one ring.
Everything an investor could take away from the desk.

Deliverable 04

LinkedIn series, Where Finance Flows Next

Alongside the conference, the founder started a 12 article thought leadership series on LinkedIn. I designed four banner directions, then built every article as its own numbered version, 52 frames in total, all from the same master components.

Four ways in, one system underneath.

Reflection

What I would carry into the next one

  1. 01

    A brief is a starting point, not a ceiling

    The Flow Gate idea was right. My job was to find the simplest shape that still carried it, and to defend that shape with confidence.

  2. 02

    Write the rules down early

    The guidelines were part of the two week job, not an extra. Two months later they are why a full conference kit could go to print two days after the copy landed.

  3. 03

    In investor material, the words are part of the design

    A slide can look perfect and still say more than the company can promise. Checking every line against the approved copy was as much my job as the layout.